Post-production producer, Spanish-language panel
Owned post for a multi-guest academic panel with uneven remote sources — dialogue cleanup through final mix. I also scored the episode, produced the stings, and recorded the narrated bumper.
Alvaro Acevedo · aFrequency
I edit dialogue, tighten pacing, and mix episodes so they're clean and consistent from week to week. I also compose original themes, stings, and underscore when a show needs its own sound.
Selected work
Released episodes across education, environmental, and food justice podcasts, plus broadcast radio.
Owned post for a multi-guest academic panel with uneven remote sources — dialogue cleanup through final mix. I also scored the episode, produced the stings, and recorded the narrated bumper.
Editing and mixing across the season — narration recorded in the field and in studio, EQ and vocal mix, assembling sections, and setting levels. Collaborative edit with the producer.
Dialogue editing and mix for a two-person conversation — cleaned up for clarity and pacing without flattening the energy.
Editing and mixing for Jaime Roque's show on KQBH 101.5FM in Boyle Heights — open-format storytelling cut to a fixed broadcast hour.
More credits, full episodes, and client references available on request.
Who you'd be working with
I'm a composer and audio engineer who handles post-production for podcasts and radio. I was post-production producer on FreshEd's Spanish-language show Aula Divergente, and I've worked with producer Jaime Roque on Getty's ReCurrent, CAFF's The Farmer's Beet, Real Food Media, and ISV Radio Presents on KQBH 101.5FM.
Coming at it from music means I tend to listen for pacing and tone alongside the technical side. When a show needs a theme, stings, or underscore, I write it for that show rather than dropping in a stock cue.
Get in touch
Episode length, format, how you're recording now — send me the details and I'll get back to you with a quote and turnaround time.